A magical glimpse into the Tudor imagination: Lost library of John Dee to be revealed

Treasured books from the lost Library of Tudor polymath John Dee will be revealed in a special exhibition at the Royal College of Physicians Museum in January 2016

No figure from the Tudor world better exemplifies the diverse and apparently contradictory intellectual and social preoccupations of the period than John Dee.

At once deeply religious and fastidiously superstitious, Dee was a scholar of mathematics and magic, a keen historian and courtier and tutor to Elizabeth I and a polymath whose interests included astronomy, astrology, exploration, the occult, alchemy, spying and imperialism.

Little wonder this extraordinary man has continually fascinated and served as inspiration to artists from Shakespeare and Ben Johnson to Derek Jarman and Damon Albarn.

Now, the intriguing and mysterious Dee, who survived the machinations of the late Tudor period only to die in poverty in 1608/9, is to be revealed to the public through his remarkable personal library for the first time in history.

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Royal College of Physicians Museum info here

Big Trouble In Big China: Ghost Cities Of China Reviewed, by Stephen Lee Naish

The rapid rise of China as one of the world's economic powerhouses has been astonishing to witness: Due to the sheer volume of exportable goods produced within the country, and the largest labor force in the world, China has been given the unofficial status of the world's factory. However this slightly derogatory and naive term is becoming more and more redundant as China is hastily being transformed beyond recognition from a production-based society to a consumerist one. The World Bank states that:

Since initiating market reforms in 1978, China has shifted from a centrally planned to a market based economy and experienced rapid economic and social development. GDP growth averaging about 10 percent a year has lifted more than 500 million people out of poverty

This is a truly a remarkable accomplishment in economic reform, yet has not been without its shortcomings to the general populace. High inequality is widespread, environmental concerns and sustainability is a major concern. One of the other aspects of China's growth has been the mounting need/desire to increase its urban spaces as more and more rural communities up sticks and move to the cities to partake in the economic boom. China has put into practice a colossal programme of urban renewal and expansion as well as creating brand new cities from the ground up.

When the Communist Party came to power in 1949 there were 69 cities, today that number has leapt to 658 cities of various population densities. No civilisation in history has built so much in such a short space of time. Yet the majority of these new constructions remain virtually empty. Towers of apartment buildings with no tenants. Shopping malls, and offices without shoppers or workers, sports stadiums with no home teams. China is building pristine virgin cities that no one has yet to touch. Why is this happening? Could China be building these metropolises in preparation for a mass external migration as it surpasses the West as the world's economic power?

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Arthur Machen: The Sounds From Beyond The Veil, from The London Sound Survey

ADVENTURES MADE EARLY in life can go on to define intellectual careers and reputations. Darwin was 22 when he set off on The Beagle. T. E. Lawrence built a personal mythos from his experiences as a young officer during the Arab Revolt of 1916–18. The anthropologist Margaret Mead was 27 when her book Coming of Age in Samoa was published, while Napoleon Chagnon spent his twenties studying the Yanonamo people, sometimes introducing himself to a new village by leaping into its central clearing with his face daubed in war paint, waving a shotgun.

The Welsh-born mystic and writer Arthur Machen moved to London in 1881 when he was in his late teens, a good age for the kind of long exploratory walks which can bring on a trance-like state of fatigue. He lodged briefly in south London before moving to Turnham Green, then Notting Hill Gate. With De Quincey’s opium-powered London wanderings sometimes in mind, Machen began first to explore the north and west of the city. His autobiographical works, such as Far Off Things (1922), suggest he gathered enough thoughts on London and its hinterlands during these expeditions to inform the rest of his literary career.

Machen’s descriptions of sounds often occur in the absence of seeing what’s making them. In The Terror (1917), a part of the Welsh countryside is haunted by an eerie, distant moaning, which is later revealed as people crying for help up the chimney flue of a barricaded cottage. A Fragment of Life (1899) features a nature spirit less benign than Kipling’s Puck of Pook’s Hill, which whistles unseen at a couple walking in the fields near Totteridge. The confrontation is a foretaste of Nicolas Roeg’s Don’t Look Now:

Still, she felt it was no good bothering her head over what couldn’t be made out or explained anyway, and she was just settling down, when one Sunday evening it began all over again, and worse things happened. The whistling followed them just as it did before, and poor aunt set her teeth and said nothing to uncle, as she knew he would only tell her stories, and they were walking on, not saying a word, when something made her look back, and there was a horrible boy with red hair, peeping through the hedge just behind, and grinning. She said it was a dreadful face, with something unnatural about it, as if it had been a dwarf, and before she had time to have a good look, it popped back like lightning, and aunt all but fainted away.

Part of H.P. Lovecraft’s acknowledged debt to Machen also lies in hearing without seeing. Well before Lovecraft’s half-human ululations emanated from somewhere below ground, Machen’s The Three Impostors (1895) has Francis Leicester ingest a restorative white powder from a chemist, only to undergo a horrible physical degeneration. The process takes time, however, as his sister finds out:

“Francis, Francis,” I cried, “for heaven’s sake answer me. What is the horrible thing in your room? Cast it out, Francis, cast it from you!” I heard a noise as of feet shuffling slowly and awkwardly, and a choking, gurgling sound, as if some one was struggling to find utterance, and then the noise of a voice, broken and stifled, and words that I could scarcely understand.

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Book: The Remarkable Life of John Murray Spear: Agitator for the Spirit Land

John Murray Spear was one of nineteenth-century America's most interesting characters. A leading social agitator against slavery and capital punishment, Spear also became the nation's most flamboyant spiritualist, inventor of “spirit machines,” and advocate of free love. In his captivating biography, John Buescher brings to life Spear's superlatively odd story. While no photograph or engraving of Spear exists, and his letters and personal papers are scarce, Buescher recreates in this book a sympathetic, even heroic, figure who spent the most energetic decades of his career absent, in a sense, from his own life, displaced by other spirits.

Born in 1804, John Murray Spear started his career as a Universalist minister. Later he was a close colleague of William Lloyd Garrison and Theodore Parker in the abolitionist movement, an operator on the underground railroad in Boston, an influential leader in the effort to end the death penalty and to reform prison conditions, and a public advocate of the causes of pacifism, women's rights, labor reform, and socialism. Buescher chronicles Spear's work as an activist among the New England reformers and Transcendentalists such as Bronson Alcott, Lydia Maria Child, and Dorothea Dix.

In midlife Spear turned to the new revelation of spiritualism and came under the thrall of what he believed were spirit messages. Spear's spirits dictated that he and a small group of associates embark on plans for a perpetual motion machine, an electric ship propelled by psychic batteries, a vehicle that would levitate in the air, and a sewing machine that would work with no hands. As Buescher documents, Spear's spirit-guided efforts to harness technology to human liberation—sexual and otherwise—were far stranger than anyone outside his closest associates imagined, and were aimed at the eventual manufacturing of human beings and the improvement of the race. Buescher also examines the way in which Spear's story was minimized by his embarrassed fellow radicals. In the last years of his life, retired by the spirits and regarded by fellow Gilded Age progressives as a visitor from another age, if not another planet, Spear helped organize support for anarchist, socialist, peace, and labor causes. Spear's life, an odd mixture of comic absurdity and serious foreshadowing of the future, provides us with a unique perspective on nineteenth-century American religious and social life.

Book: Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult, by Luciano Chessa

Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.

Book: Haunted Media: Electronic Presence from Telegraphy to Television, by Jeffrey Sconce

In Haunted Media Jeffrey Sconce examines American culture's persistent association of new electronic media - from the invention of the telegraph to the introduction of television and computers - with paranormal or spiritual phenomena. By offering a historical analysis of the relation between communication technologies, discourses of modernity, and metaphysical preoccupations, Sconce demonstrates how accounts of "electronic presence" have gradually changed over the decades from a fascination with the boundaries of space and time to a more generalised anxiety over the seeming sovereignty of technology. Sconce focuses on five important cultural moments in the history of telecommunication from the mid-nineteenth century to the present: the advent of telegraphy; the arrival of wireless communication; radio's transformation into network broadcasting; the introduction of television; and contemporary debates over computers, cyberspace, and virtual reality. In the process of examining the trajectory of these technological innovations, he discusses topics such as the rise of spiritualism as a utopian response to the electronic powers presented by telegraphy and how radio, in the twentieth century, came to be regarded as a way of connecting to a more atomised vision of the afterlife. Sconce also considers how an early preoccupation with extraterrestrial radio communications transformed during the network era into more unsettling fantasies of mediated annihilation, culminating with Orson Welles' legendary broadcast of War of the Worlds. Likewise, in his exploration of the early years of television, Sconce describes how programs such as The Twilight Zone and The Outer Limits continued to feed the fantastical and increasingly paranoid public imagination of electronic media. Finally, Sconce discusses the rise of postmodern media criticism as yet another occult fiction of electronic presence, a mythology that continues to dominate contemporary debates over television, cyberspace, virtual reality, and the Internet. As an engaging cultural history of telecommunications, Haunted Media will interest a wide range of readers including students and scholars of media, history, American studies, cultural studies, and literary and social theory.

Book: Immaterial Bodies: Affect, Embodiment, Mediation, by Lisa Blackman

In this unique contribution, Blackman focuses upon the affective capacities of bodies, human and non-human as well as addressing the challenges of the affective turn within the social sciences. Fresh and convincing, this book uncovers the paradoxes and tensions in work in affect studies by focusing on practices and experiences, including voice hearing, suggestion, hypnosis, telepathy, the placebo effect, rhythm and related phenomena. Questioning the traditional idea of mind over matter, as well as discussing the danger of setting up a false distinction between the two, this book makes for an invaluable addition within cultural theory and the recent turn to affect.

In a powerful and engaging matter, Blackman discusses the immaterial body across the neurosciences, physiology, media and cultural studies, body studies, artwork, performance, psychology and psychoanalysis. Interdisciplinary in its core, this book is a must for everyone seeking a dynamic and thought provoking analysis of culture and communication today.

Book: Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-first Century, by Marina Warner

Phantasmagoria explores ideas of spirit and soul since the Enlightenment; it traces metaphors that have traditionally conveyed the presence of immaterial forces, and reveals how such pagan and Christian imagery about ethereal beings is embedded in a logic of the imagination, clothing spirits in the languages of air, clouds, light and shadow, glass, and ether itself. Moving from Wax to Film, the book discusses key questions of imagination and cognition, and probes the perceived distinctions between fantasy and deception; it uncovers a host of spirit forms - angels, ghosts, fairies, revenants, and zombies - that are still actively present in contemporary culture. It reveals how their transformations over time illuminate changing idea about the self. Phantasmagoria also tells the accompanying story about the means used to communicate such ideas, and relates how the new technologies of the Victorian era were applied to figuring the invisible and the impalpable, and how magic lanterns (the phantasmagoria shows themselves), radio, photography and then moving pictures spread ideas about spirit forces. As the story unfolds, the book features many eminent scientists and philosophers who applied their considerable energies to the question of other worlds and other states of mind: they staged trance seances in which mediums produced spirit phenomena, including ectoplasm. Phantasmagoria shows how this often surprising story connects with some of the important scientific discoveries of a fertile age, in psychology and physics, and continues to influence contemporary experience.