Tuesday 11 November 2014

Public Lecture: Realism and Psychosis, Simon Morgan Wortham

A lecture in the Centre for Research in Modern European Philosophy's 20th Anniversary Public Lecture Series, in association with the London Graduate School.

Thursday 18th December 2014

Time: 6.00pm - 8.00pm
Venue: E003, Granary Building, Central Saint Martins, University of the Arts London
Price: free
Speaker: Simon Morgan Wortham (the London Graduate School - Kingston University)

In ‘Judiciousness in Dispute' Lyotard gives us an image of the seventy-four year old Kant beset by a near-permanent head cold. Here, while the mind, through a sheer effort of will, has the capacity to overcome a variety of ailments, thought nevertheless causes it severe pain, a pain to which it is not just opposed, but which indeed accompanies its very operation. To the extent that this ambivalent relationship to pain is insurmountable, the ageing philosopher's inflammation of the head is linked to what Kant himself describes as an involuntary spasmodic state in the brain, that is, a certain inability to maintain concepts, or to secure the unified consciousness of related representations, which Lyotard wants to suggest is fundamental or necessary, rather than merely contingent upon an ailment contracted late in life. To what extent is post-Kantian thought in pain? In what ways is such ‘pain' prolonged in philosophies that seek a radical departure from Kant? For instance, in seeking an exit from the subjective representation of objects (for Lyotard, the source of Kant's ‘pain')? Does speculative materialism risk a certain lapse into a psychotic state that—as both Lacan and Kristeva suggest—may be arrested only through the onset of phobia?

Followed by a reception to launch Simon Morgan Wortham, Modern Thought in Pain: Philosophy, Politics, Psychoanalysis (Edinburgh University Press).

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Monday 10 November 2014

The Brain Makes Its Own Ghosts, by Julie Beck

In a new study, researchers were able to induce people to feel a presence behind them using a robot, which has implications for understanding schizophrenia and consciousness itself.

 When I was little, whenever I climbed a flight of stairs in the dark, the climbing quickly turned to running. About halfway up the steps, every time, I was overcome with an unshakeable certainty that there was a monster behind me, chasing me. I won’t say I never get that feeling anymore, but I force myself to walk up the stairs slowly and calmly when it happens now, swallowing my fear. That’s called being an adult.

The sense of someone near you when no one is actually there is called “feeling of presence” or FOP, apparently, according to a new study in Current Biology that identified the regions of the brain associated with this sensation and, wildly, recreated it in a lab setting.

“Although it is described by neurological and psychiatric patients and healthy individuals in different situations, it is not yet understood how the phenomenon is triggered by the brain,” the study reads.
First the researchers, who mostly hailed from Ecole Polytechnique Fédérale de Lausanne (EPFL) in Switzerland, studied the brains of 12 patients with neurological disorders (mainly epilepsy) who had experienced FOP, and found lesions in three regions of their brains: the insular cortex, frontoparietal cortex, and temporoparietal cortex. These areas deal with self-awareness, movement, and spatial positioning, suggesting that when sensorimotor signals get confused, people can feel presences that aren’t there.

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800,000 Pages of Patient Art and Mental Health Archives Are Going Online

A few weeks ago, the Wellcome Library announced a new initiative to digitize more than 800,000 pages of material from British psychiatric hospitals. Dating between the 18th and 20th centuries, the trove includes examples of patient artwork and writing, as well as patient-produced publications.

Some of these are shaky pencil drawings stuck amid further details on patient conditions — like this casebook on a patient at Ticehurst Hospital that includes a portrait of a doctor from 1891. Others are more elaborate oil paintings, like the above late-19th-century piece by George Sidebottom at the York Retreat, showing an eclectic scene of recreation. Together these visual details and the greater archives record a period of change in mental health management, when the mistreatment of patients began to be be addressed and institutionalization became more popular (and then gradually less so in the 20th century). The effort sees  the Wellcome Library partnering with the Borthwick Institute for Archives, London Metropolitan Archives, Dumfries and Galloway Council Archives, NHS Greater Glasgow and Clyde Archives, and the Royal College of Psychiatrists.

More here